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Are There Any Hello! Project Cover Performances That Surpass the Original?

February 28, 2018

http://helloprot.ldblog.jp/archives/75018298.html

 

1: 名無し募集中。。。@\(^o^)/

?

 

2: 名無し募集中。。。@\(^o^)/

Oda and someone else (it depends) doing Kanashiki Heaven.

 

3:名無し募集中。。。@\(^o^)/

Nope.

 

5: 名無し募集中。。。@\(^o^)/

Berryz Koubou's Shabondama.

 

       290: 名無し募集中。。。@\(^o^)/

       >>5

       When was this?

       Do you have a video?

 

              294:名無し募集中。。。@\(^o^)/

              >>290

              For some reason it hasn't been released on video.

              It's a shame -- their dancing was funny, too.

 

6: 名無し募集中。。。@\(^o^)/

>>1

This.

 

7: 名無し募集中。。。@\(^o^)/

Country Girls' Cha Cha Sing.

 

       27:名無し募集中。。。@\(^o^)/

       >>7

       Isn't that just because it was the original Momochi-sama's last performance?

 

8: 名無し募集中。。。@\(^o^)/

Morning Musume's cover of that one song that goes something like, "Ai wa ai ni ai wo aishitari wa shinai?"

*["Love doesn't love love to love."

Real lyric is "Ai wa ai no ue ni ai wo tsukuttari wa shinai sa"/"Love doesn't create a love that's greater than love," LOL.]

 

       262: 名無し募集中。。。@\(^o^)/

       >>8

       Berryz?

 

              270:名無し募集中。。。@\(^o^)/

              >>262

              I agree with this, LOL.

              Berryz's version was too scary. I wanted it to be sung more smoothly, like Momusu did.

 

                     316: 名無し募集中。。。@\(^o^)/

                     >>270

                     Isn't that a song that should be scary? LOL.

 

9: 名無し募集中。。。@\(^o^)/

The problem is that currently, no one's being surpassed.

 

11:名無し募集中。。。@\(^o^)/

S/mile-germe's Help Me!!

 

12: 名無し募集中。。。@\(^o^)/

My Days for You.

 

13: 名無し募集中。。。@\(^o^)/

Miyabi-chan's Yuki no Hana.

 

14:名無し募集中。。。@\(^o^)/

Berikyuu have a lot of simple songs, but whether others can handle singing them is another question.

 

16: 名無し募集中。。。@\(^o^)/

Juice=Juice's Narihajimeta Koi no BELL and stuff.

 

19: 名無し募集中。。。@\(^o^)/

Angerme's 2016 version of Shabondama.

 

20:名無し募集中。。。@\(^o^)/

Only a naive young wota would think that just Berikyuu's songs are compositionally restricted.

If you're talking about groups with a lot of simple songs, look first at Momusu.

 

23: 名無し募集中。。。@\(^o^)/

Tanaka surpasses basically all the songs she covers.

Also, I find this one time to time; this is also better than the original:

 

       48: 名無し募集中。。。@\(^o^)/

       >>23

       You're right about Tanaka -- her Daite yo! Please Go On was insane.

       I've never listened to Melon Kinenbi, but wasn't Shiba-chan [Shibata Ayumi] pretty good? She            had a pretty falsetto.

 

              80:名無し募集中。。。@\(^o^)/

              >>48

              Tanaka does do a lot of songs better, but...

              There's no way she surpassed Goto.

 

25: 名無し募集中。。。@\(^o^)/

Berryz Koubou's Shabondama.

 

       52: 名無し募集中。。。@\(^o^)/

       >>25

       Wow, this line distribution, LMFAO.

 

26:名無し募集中。。。@\(^o^)/

Rinapuu's Amazuppai Haru ni Sakurasaku at HinaFes.

 

28:名無し募集中。。。@\(^o^)/

Juice=Juice's Inspiration.

 

30: 名無し募集中。。。@\(^o^)/

I don't know whether or not they beat the original, but J=J's Kiss Me Aishiteru was fantastic too.

 

31: 名無し募集中。。。@\(^o^)/

I like Angerme's version of Shabondama from HinaFes better than the original.

 

34:名無し募集中。。。@\(^o^)/

Ishikawa Rika praised Berryz's Shabondama. She said it was stylish.

 

36: 名無し募集中。。。@\(^o^)/

Recent Momusu songs are much harder than the early ones.

 

37: 名無し募集中。。。@\(^o^)/

The strongest Shabondama unquestionably comes from the original members.

Tsuji, Kago, Takahashi, and Fujimoto are the best at screaming those lines.

You just can't top them.

 

38:名無し募集中。。。@\(^o^)/

The only lines no one else can do are Fujimoto's.

 

40:名無し募集中。。。@\(^o^)/

Tsubaki's Tsugitsugi Zokuzoku.

 

41: 名無し募集中。。。@\(^o^)/

In Angerme's Shabondama, Kananan's Osaka-ben monologue easily surpassed the original.

 

42: 名無し募集中。。。@\(^o^)/

J=J's Inspiration is incredible.

 

43:名無し募集中。。。@\(^o^)/

No matter who sings it, Shabondama will always have the original as a baseline.

 

46: 名無し募集中。。。@\(^o^)/

Was Fujimoto popular back when she was actually in Momusu?

 

50: 名無し募集中。。。@\(^o^)/

S/mileage's Kimi wa Jitensha, Watashi wa Densha de Kitaku.

 

51:名無し募集中。。。@\(^o^)/

Other groups often do C-ute songs better than the original.

 

54: 名無し募集中。。。@\(^o^)/

Kobushi's Mukidashi de Mukiatte.

 

55: 名無し募集中。。。@\(^o^)/

Sayuki's ad-lib in Magic of Love surpasses Ruru's.

 

       60:名無し募集中。。。@\(^o^)/

       >>55

       Hey man, I like Sayuki, but that's going too far.

 

       67: 名無し募集中。。。@\(^o^)/

       >>55

       Doesn't that just mean it's still a victory for Juice=Juice as a whole?

 

              83: 名無し募集中。。。@\(^o^)/

              >>60

              Guess I steamed you up too much, LOL.

              But Ruru does it with kind of an accent.

 

56:名無し募集中。。。@\(^o^)/

C-ute's version of The Matenrou Show.

 

59: 名無し募集中。。。@\(^o^)/

No one can surpass Matsuura, LOL.

 

62: 名無し募集中。。。@\(^o^)/

Berryz's Kiss Me.

C-ute's Matenrou.

 

63:名無し募集中。。。@\(^o^)/

Recently there have been a lot of songs that have a lot of force and energy behind them, and that certainly has been working, but they're surprisingly not hard songs.

C-ute's Kiss Me definitely falls under that category, and a lot of recent Momusu stuff is like that too.

It's convenient for them to have songs like that that sell, but it's also why you get tired of those songs easily.

 

64: 名無し募集中。。。@\(^o^)/

No one ever surpasses the original.

 

65: 名無し募集中。。。@\(^o^)/

Egashira 2:50's Wakuteka.

 

 

66:名無し募集中。。。@\(^o^)/

Momusu '17's Egao YES Nude.

 

68:名無し募集中。。。@\(^o^)/

If we're limiting it to Hello! Pro songs, Goto and Matsuura's Memory Seishun wa Hikari.

 

That is all.

 

70: 名無し募集中。。。@\(^o^)/

Zukki's 1oku3zenman Sou Diet Oukoku.

 

71: 名無し募集中。。。@\(^o^)/

Momusu '14's Fantasy ga Hajimaru.

 

72:名無し募集中。。。@\(^o^)/

Kago Ai's Boogie Train.

 

73: 名無し募集中。。。@\(^o^)/

Sudo Maasa's The Bigaku.

 

75: 名無し募集中。。。@\(^o^)/

I thought Tanaka's Memory Seishun no Hikari during their Single Daizenshuu tour was the strongest. Only a teenager could produce that kind of angst.

 

       269:名無し募集中。。。@\(^o^)/

       >>75

       She shot an MV to this song on a ferris wheel when she was in middle school, so it's kind of              already her song.

       Apparently Tsunku used Reina to temporarily rearrange the whole song, so the way she sings it        is different from the original anyway.

 

76:名無し募集中。。。@\(^o^)/

This.

 

77:名無し募集中。。。@\(^o^)/

I predict that Jealousy Jealousy will be covered at this year's HinaFes.

And no matter which group does it, I feel like they'll be able to surpass the original.

 

79: 名無し募集中。。。@\(^o^)/

Niigaki Risa's Boogie Train.

 

81: 名無し募集中。。。@\(^o^)/

If we're including arrangements, S/mileage's Namida GIRL and Chu! Natsu Party.

They haven't performed them recently for some reason, but I wish they would.

 

86:名無し募集中。。。@\(^o^)/

"Naite sumu nara, Naa~kiyagare"

The "Naa" part is important.

It has nothing to do with skill; Tsuji, Kago, Fujimoto, and Takahashi deliver it with fierce intensity.

Especially compared to Yaguchi and Ishikawa.

 

88: 名無し募集中。。。@\(^o^)/

Combine all the covers early 1st-gen S/mileage did and you have the strongest bundle of idol performances easily.

Making This is Unmei a cute song was ground-breaking.

 

       110: 名無し募集中。。。@\(^o^)/

       >>88

       It became a totally different song, huh?

       I like it when they change drastically like that.

 

92:名無し募集中。。。@\(^o^)/

This.

It becomes something else entirely, performed with the kind of sorrow only the members of Momusu could produce.

 

94:名無し募集中。。。@\(^o^)/

Inaba Atsuko and Goto Maki sang a song together at some point, and Gocchin totally couldn't keep up.

But I forgot what song it was.

 

105: 名無し募集中。。。@\(^o^)/

Tanaka can even do group songs better on her own.

 

107: 名無し募集中。。。@\(^o^)/

Regardless of whether they surpassed the original, J=J's covers like Inspiration are so polished they've made them their own.

Same with Narihajimeta Koi no BELL. I mean, it's just because they're really skilled.

When H!P groups cover H!P songs, they tend to just mimic the original, so...

 

       111:名無し募集中。。。@\(^o^)/

       >>107

       It's a matter of how they think about covers. If they're praised for showing their individuality              while still mimicking the original, they'll just keep imitating.

 

108: 名無し募集中。。。@\(^o^)/

I don't know whether she did better than the original, but Tanaka sang Tsugitsugi Zokuzoku all by herself, LOL.

 

118: 名無し募集中。。。@\(^o^)/

In all honesty, covers of Mano's songs tend to surpass the originals.

 

148: 名無し募集中。。。@\(^o^)/

Meimei and Risako's Magic of Love at an H!P concert.

 

149: 名無し募集中。。。@\(^o^)/

I feel like at some point, Kago-chan and Melon Kinenbi did a cover of Anata Nashi de wa Ikite Yukenai that was better than Berryz.

But they were still just kids, so it doesn't count as much.

 

153: 名無し募集中。。。@\(^o^)/

Berryz only perfected Anata Nashi at the very, very end of their run as a group.

It would be hard to surpass the final-form Berryz' Anata Nashi.

 

205: 名無し募集中。。。@\(^o^)/

Miyabi-chan and Risako do better than the originals most of the time.

Momochi's Ayaya is also pretty good.

I also liked the cover of Yattaruchan that Kumai-chan and Haachin and some others did.

 

       211: 名無し募集中。。。@\(^o^)/

       >>1

       I thought this was seriously beautiful.

 

214: 名無し募集中。。。@\(^o^)/

Angerme doesn't surpass the original when they do covers; rather, they sing them as if they're their own songs.

 

217: 名無し募集中。。。@\(^o^)/

Conclusion: Covers never really surpass the original, but it's a matter of taste which one you prefer.

 

226: 名無し募集中。。。@\(^o^)/

Well, the original version of a song is always the one that's optimized for the singer's age and style.

Generally, if there's no difference in ability, it's hard to surpass the original singer.

 

http://hayabusa3.2ch.sc/test/read.cgi/morningcoffee/1519044717/

 

 

Emi: I always prefer watching the Harocons that have shuffles because I feel like it's way more interesting to watch a group cover another group's song than sit through another round of Here's Every Song Off Our Latest Single ("jama shinaide... HERE WE GO"). Although admittedly I enjoy that too, LOL.

I like Gaki-san's version of Egao ni Namida ~Thank You! Dear My Friends~ more than the original, although that may be because she's my lord and savior. ;)

 

 

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